In the end, all such crimes in one way or another encroach on the various economic interests of the Russian state. Therefore, the economic basis of the Russian Federation, its forest wealth and the right to dispose of this wealth in the interests of the population is the main object of the encroachment in the illegal logging of forest plantations. Kommercheskoe predlozhenie po razrabotke kotlovana obrazec. The social relations associated with the protection of the environment, the interests of the environment is an additional object of the specified crimes.

Gautam Vasudev Menon's love stories should come with a statutory warning, on the lines of - 'Watching this film will cause a strong sense of deja vu' or 'Beware of SLOW narration'. Yeto Vellipoindi Manasu suffers from both these - a strong sense of deja vu, and super-slow narration. We could copy verbatim from our review of, just changing the names of the actors and the music director, and it would fit Yeto Vellipoindi Manasu perfectly. The movie plays out with vignettes of a love story between two youngsters - like in YMC, the goals of the guy interfere with the couple; like in YMC, ego clashes push them further apart; like in YMC, Samantha plays a confused girl; like in YMC, Krishnudu plays the hero's friend; and like in a million other love stories, the couple finally get together. We could go on and on, but let's get to the plot. YVM is the love story of Nithya Yelavarthi (Samantha) and Varun Krishna (Nani). The two stayed at the same apartment complex while they were 8 years old, went to the same tuition when they were 14, studied in the same college when they were 16, meet at an engineering college festival when they are 20, and finally get together when they are 24.

The dialogues in the film are simple, and there is no going overboard with the English lines this time. However, the screenplay is where Menon lets the film glide away, his indulgence in the script leading many a scene to run much longer than it should ideally have. Consider this - a 15-minute conversation leads to the interval, and a near 20-minute conversation sequence leads to the climax. A couple of songs play out for more than 15 minutes each, punctuated as they are, with more conversations. Nani's performance as the guy next door elevates the film considerably. His simple looks and his accent-free Telugu make him a perfect fit for the role. Samantha is very good - but we have seen her do this before.

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Yeto Vellipoyindhi Manasu (English: My Heart's Gone Somewhere) is a 2012 Indian Telugu musical romantic drama film co written, co produced and directed by Gautham Menon, featuring Nani and Samantha in the lead roles. Watch yeto vellipoyindi manasu 2 - telugudvds on dailymotion. Yeto Veliipoindi Manasu Telugu full.

Also, she looks good and does not need to put in extra effort - the nose-ring she wears in the college scenes looks out of place. Krishnudu brings in many a good laugh in the film, and saves the film from becoming a bore-fest. Illayaraja's music is very good, and the picturisation boosts the songs considerably - the only refrain being that he could have used other voices instead of his own in certain situations. The morphing of 'Koti koti taarallona', which describes Nani's feelings, into 'Atu itu choosukodu gaa', which describes Samantha's feelings, is particularly good. Gautam Menon has always been a stickler for detail, and he puts in a visible effort here to ensure that the film looks real. Touches like naming fests in college as 'Spectrum' and 'Amalgamation' strike a chord.