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If you deal with sound recordings on a daily basis, you are probably keen on the numerous issues that can come along with making them sound good. Whether the sound was recorded by a professional recordist or a complete novice, sometimes there are anomalies and noise problems that you simply can’t get away from, even if you follow all the rules to software is your saving grace. There are a few really solid tools out there, some you’ve certainly heard of, and others you may not have. Let’s break down some of your best options. • (N/R/D) – Noise Reduction Magic Accusonus is one of those companies that has gone largely unheard of in respects to audio repair, which is a shame as their offerings are affordable, easy to use, and capable of producing quick results. Here’s a quick overview of their comprehensive ERA Bundles. The ($129) contains 4 single-knob plugins, each one solving a different audio problem: ● ERA Noise Remover ● ERA Reverb Remover ● ERA Plosive Remover ● ERA De-Esser The Accusonus ($349) contains the 4 single-knob plugins as well as ERA D, a joint noise & reverb reduction plugin for post professionals.

You may be wondering about the steep upgrade when ERA-D does essentially the same things as the ERA Noise Remover and the ERA Reverb Remover. The secret here is that ERA-D does something that other tools don’t: 2-channel intelligent. This means you can feed in 2 different channels ( and lav, for instance) and the 2 channels will inform each other of the content, making for a much cleaner denoising process with fewer artifacts. If this fits your situation, I’d say it’s worth the small splurge for the top tier version.

The benefits of Accusonus’ tools is that you can run them in real-time and get results quick. The one-knob style functionality makes them extremely simple for non-audio geniuses to use. It’s definitely worth it for video editors, indie filmmakers or audio engineers who need a clean and quick solution. And see for yourself. • (Standard/Advanced) – King of Audio Repair RX is possibly the most well-known sound restoration software out today. Ever since version 1, iZotope has been pouring R&D into making this software unbeatable.

RX gives you a fully featured waveform and spectral editor with numerous ways to view and select your sound and a complete host of tools including: • De-Noise • De-Click • De-Crackle • De-Hum • De-Clip • De-Bleed (uses • De-Plosive • De-Ess (removes vocal sibilance with ease) • De-Reverb • De-Rustle • De-Wind • Interpolate • Dialogue Isolate (algorithms shaped to lighten noise without introducing artifacts) • Spectral De-Noise • Voice De-Noise • Mouth De-Click • Deconstruct (the ability to filter and separate between tonal and broadband sounds) • Match & Extraction (no room tone? No problem!) • EQ Match • Auto Leveler (time saver, helps you audio sound consistent without compression) • Time & Pitch Manipulation • Center Content Extraction • Find Similar (uses machine learning to find sonic events in the recording that are similar to the one you’ve highlighted) • Common Tools including: Gain,, Normalize, Azimuth Correction,, Resampling, signal Generator, etc • Batch Processing (this is key if you have a lot of bad audio on a consistent basis) Needless to say, iZotope’s flagship software can warrant an entire blog series on its own. If you are an indie filmmaker, video editor, sound engineer or sound designer, this software surely has a handful of tools that will be immediately useful in your everyday work. The advanced version will cost you a pretty penny, but if you can afford the standard version, you still get most of the available tools, minus just a few awesome ones. Standard RX: $399 Advanced RX: $1,199 • – The Editor’s Go-To Sound Tool Many video editors will be quite familiar with Audition, as it comes bundled with the Creative Cloud suite (meaning many of you already have this available to you without spending an additional dime).