Download Indiginus Renaxxance Exprexxive Nylon String Guitar V132 K Free Softwa

Download Indiginus Renaxxance Exprexxive Nylon String Guitar V132 K Free Softwa 5,5/10 1835 votes

Renaxxance is a low-cost, easy-to-use nylon-string guitar (and more) library for Kontakt 4+ that is instant gratification in a box. By Dave Townsend, May 2015 Executive Overview Renaxxance is a classical nylon-string guitar sample library for Kontakt (full product only, version 4 and above), the latest product offering from Indiginus.

Download Kontakt Guitar Torrent at TorrentFunk. Free Solo Wonder Woman The Nun Street Outlaws Bellator. Indiginus Renaxxance Exprexxive Nylon String Guitar v1.

Bottom line for the impatient reader: it’s a must-have for the faux-guitarist who doesn’t already have a top-tier nylon-string library. I dislike the term “no-brainer”, as I personally feel that one’s brain should be engaged at all times. However, at a mere $45 let’s just say this one’s not a particularly tough decision. About Indiginus Who is Indiginus? It’s the Florida-based enterprise of Tracy and Brenda Collins, an actual for-real mom ‘n pop operation. In case you missed the previous SoundBytes coverage of Indiginus products, here are some links you might want to check out for background: Solid State Symphony: Three Great (and Cheap) Kontakt Libraries: Sample Library Technology with Tracy Collins: After reading those articles, you will probably come away thinking that we here at SoundBytes are unapologetic Indiginus fans, and you’d be right.

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We love these libraries because they’re high-quality, useful, and best of all, affordable. They also stand out in another special way: they invite playing in real time. Playing in Real Time I have deeper and more sophisticated sample libraries in my collection. But as much as I like, say, Kirk Hunter Concert Strings, I can’t imagine sitting down at a keyboard and composing with it. Such instruments are versatile and complex building-blocks to be painstakingly engineered into a composition. Indiginus’ Solid State Symphony, on the other hand, makes me want to sit down at the keyboard and jam.

Indigenous

In fact, more than once have I used SSS to compose a piece that was later realized with Concert Strings and other industrial-strength orchestral libraries. Collins has given us yet another instantly-playable instrument; this time it’s a nylon-string guitar. The full product name was originally “Renaxxance Epic Nylon-String Guitar”, but that was more Tracy’s wry sense of humor than a desire to further abuse the over-used adjective “Epic”. “Renaxxance Really Cool and Fun to Play Nylon String Guitar” would have been a mouthful, so now it’s called “Renaxxance Exprexxive (sic) Nylon String Guitar”.

(At least he didn’t call it “cinematic”, although there are obvious cinematic applications for it). Epic or not, it’s a real joy to play, right out of the box. When I first got my hands on it, I set my ASIO driver for low-latency real-time playing, started up standalone Kontakt, loaded Renaxxance and hit a chord on my keyboard. I was immediately sucked in and before I knew it an hour had passed while I happily jammed away, completely forgetting that I was supposed to be reviewing the product.

What makes Renaxxance so instantly accessible is the same simple trick used with Solid State Symphony and Delta Blues: velocity-based sampled articulations. Hit a key hard, and you get a natural-sounding slide. Hit it softly and you get a mute. Enable auto-vibrato and with very little effort you’re getting a natural-sounding, believable finger-picked guitar sound with just enough finger noise and release sounds to add authenticity. It’s almost too easy. Watch Tracy playing Renaxxance live here: Slides are the Key Believable slides are essential to making a nylon-string track that’s convincing enough that a listener might not immediately guess it was sampled. Tracy pulls this off in Renaxxance the same way he did in his equally-playable Delta Blues Slide Guitar, by actually sampling each slide separately rather than faking them algorithmically.

They sound realistic because they are real recordings of a real human (Mr. Collins) actually playing those slides. As with Delta Blues, there is also an inherent compromise in sampled articulations, which is that you are restricted to the slides that were sampled. You cannot, for example, specify a long slide over an arbitrary interval. For those you’ll need to be adept with the scroll wheel and PRV editing, just as you would with most guitar libraries. Renaxxance gives you three types of slides: up-fast, up-slow and down-slow, each of which may be triggered by either velocity or by key-switches. More on slides later.

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